The Wolves - Fan Kong Te Zhan Dui Zhi Tian Lang (2019) Drama Episode 22 HD in Dubbed

反恐特战队之天狼 / Fan Kong Te Zhan Dui Zhi Tian Lang Terrorism Special Forces: The Wolves (2019) Drama Episode 22 Full Drama HD in Dubbed Dual Audio 720p Watch Online Download Free (2019) Full HD BluRay Drama Watch Online Download Free

反恐特战队之天狼 / Fan Kong Te Zhan Dui Zhi Tian Lang (2019) Drama (Episode 22) Terrorism Special Forces: The Wolves (2019) Drama (Episode 22)

Details

Title: 反恐特战队之天狼 / Fan Kong Te Zhan Dui Zhi Tian Lang
English title: Anti Terrorism Special Forces: The Wolves
Genre: Action, Military, Romance
Episodes: 48
Broadcast network: iQiyi
Broadcast period: 2019-Apr-30
Release: April 30, 2019
Language: Mandarin
Native Title: 反恐特战队之天狼 , Fan Kong Te Zhan Dui Zhi Tian Lang , Anti-Terrorism Special Forces: The Wolves , Anti-Terrorism Special Forces 3

Synopsis

About four youths and their stories and their battle against an international terrorist organization and crime network. This is a high-technology anti-terrorism drama. It talks about the story of 4 youngsters, Qin Xiao Yang, Jiang Mei, Tang Shi and Song An Qi and also showing the international terrorist organization are broken down and elimination of cyber crime.

Cast

Yang Xu Wen as Qin Xiaoyang
Dai Si as Jiang Mei
Wei Chen as Tang Shi
Zhou Ting Yan as Song Anqi
Li You Bin as Wang Duo
Shi Yao Qi as Chang Jianan
Mou Hai Mei as Zhu Litong
Sun Zhen Chen as Duan Ziyu
Wang Shuai Bo as Ban Cai
Yue Peng Fei as Zhao Dapeng
Wei Chen Liang as Xu Xiaoyu

Production Credits

Director: You Xiao Gang (尤小刚)
Screenwriter: Ao Lin Lu (傲琳璐)
Producer: Li Wei Ying (李莅樱)
Company: iQiyi, People's Armed Police, Beijing Century Pictures

History of drama

Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.[1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics(c. 335 BC)—the earliest work of dramatic theory.The term "drama" comes from a Greek word meaning "action" (Classical Greek: δρᾶμα, drama), which is derived from "I do" (Classical Greek: δράω, drao). The two masks associated with drama represent the traditional generic division between comedy and tragedy.In English (as was the analogous case in many other European languages), the word play or game (translating the Anglo-Saxon pleġan or Latin ludus) was the standard term for dramas until William Shakespeare's time—just as its creator was a play-maker rather than a dramatist and the building was a play-house rather than a theatre.The use of "drama" in a more narrow sense to designate a specific type of play dates from the modern era. "Drama" in this sense refers to a play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). It is this narrower sense that the film and television industries, along with film studies, adopted to describe "drama" as a genre within their respective media. The term ”radio drama“ has been used in both senses—originally transmitted in a live performance. May also refer to the more high-brow and serious end of the dramatic output of radio.The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception.Mime is a form of drama where the action of a story is told only through the movement of the body. Drama can be combined with music: the dramatic text in opera is generally sung throughout; as for in some ballets dance "expresses or imitates emotion, character, and narrative action". Musicals include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example). Closet drama is a form that is intended to be read, rather than performed. In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience.