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Plot Summary:
Although
the start of the history of film is not clearly defined, the
commercial, public screening of ten of Lumière brothers' short films in
Paris on 28 December 1895 can be regarded as the breakthrough of
projected cinematographic motion pictures. There had been earlier
cinematographic results and screenings but these lacked either the
quality or the momentum that propelled the cinématographe Lumière into a
worldwide success.
Soon film production companies were established all over the world. The first decade of motion picture saw film moving from a novelty to an established mass entertainment industry.
The earliest films were in black and white, under a minute long and without recorded sound.
During the 1890s films became several minutes long and started to consist of several shots. The first film studios were built in 1897. The first rotating camera for taking panning shots was built in 1898. Special effects were introduced and film continuity, involving action moving from one sequence into another, began to be used.
In
the 1900s, continuity of action across successive shots was achieved
and the first close-up shot was introduced (some claim D. W. Griffith
was the inventor). Most films of this period were what came to be called
"chase films". The first successful permanent theatre showing only
films was "The Nickelodeon" in Pittsburgh in 1905. The first feature
length multi-reel film was a 1906 Australian production. By 1910, actors
began to receive screen credit for their roles, opening the way for the
creation of film stars. Regular newsreels were exhibited from 1910 and
soon became a popular way for finding out the news. From about 1910,
American films had the largest share of the market in Australia and in
all European countries except France.
New
film techniques were introduced in this period including the use of
artificial lighting, fire effects and low-key lighting (i.e. lighting in
which most of the frame is dark) for enhanced atmosphere during
sinister scenes. As films grew longer, specialist writers were employed
to simplify more complex stories derived from novels or plays into a
form that could be contained on one reel and be easier to be understood
by the audience – an audience that was new to this form of storytelling.
Genres began to be used as categories; the main division was into
comedy and drama but these categories were further subdivided. During
the First World War there was a complex transition for the film
industry. The exhibition of films changed from short one-reel programs
to feature films. Exhibition venues became larger and began charging
higher prices. By 1914, continuity cinema was the established mode of
commercial cinema. One of the advanced continuity techniques involved an
accurate and smooth transition from one shot to another.
D.
W. Griffith had the highest standing among American directors in the
industry, because of the dramatic excitement he conveyed to the audience
through his films. The American film industry, or "Hollywood", as it
was becoming known after its new geographical center in Hollywood, a
neighborhood in Los Angeles, California, gained the position it has
held, more or less, ever since: film factory for the world and exporting
its product to most countries. By the 1920s, the United States reached
what is still its era of greatest-ever output, producing an average of
800 feature films annually,[1] or 82% of the global total (Eyman, 1997).
During late 1927, Warner's released The Jazz Singer, with the first
synchronized dialogue (and singing) in a feature film. By the end of
1929, Hollywood was almost all-talkie, with several competing sound
systems (soon to be standardized). Sound saved the Hollywood studio
system in the face of the Great Depression (Parkinson, 1995).
The
desire for wartime propaganda created a renaissance in the film
industry in Britain, with realistic war dramas. The onset of American
involvement in World War II also brought a proliferation of films as
both patriotism and propaganda. The House Un-American Activities
Committee investigated Hollywood in the early 1950s. During the
immediate post-war years the cinematic industry was also threatened by
television and the increasing popularity of the medium meant that some
film theatres would bankrupt and close. The 1950s was considered a
"Golden Age" for non-English cinema.
Roundhay Garden Scene is an 1888 short silent film recorded by French inventor Louis Le Prince. It is believed to be the oldest surviving film in existence, as noted by the Guinness Book of Records.[2] The film Sortie de l'usine Lumière de Lyon (1895) by French Louis Lumière is considered the "first true motion picture".
Roundhay Garden Scene is an 1888 short silent film recorded by French inventor Louis Le Prince. It is believed to be the oldest surviving film in existence, as noted by the Guinness Book of Records.[2] The film Sortie de l'usine Lumière de Lyon (1895) by French Louis Lumière is considered the "first true motion picture".
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